From humble beginnings to global hits, the evolution of Turkish cinema is a story of resilience.

From humble beginnings to global hits, the evolution of Turkish cinema is a story of resilience.
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In short: Known as Yeşilçam, the Turkish film industry once ranked as the world's fourth-largest producer. After surviving political turmoil and the rise of television, it has reinvented itself in the 21st century, with local blockbusters now consistently outperforming international releases at the domestic box office.

The origins of Turkish cinema trace back to the late 19th century, with the first public screenings occurring in Istanbul in 1896. Early production was dominated by import companies like İpek Film and Kemal Film, which leveraged their existing distribution networks to minimize financial risk. By the 1930s, these companies established a regional distribution system that would later become the backbone of the Yeşilçam era, a golden age of production spanning from 1955 to 1975.

During its peak in the 1960s and early 1970s, Yeşilçam—named after the street in Istanbul where studios were concentrated—produced between 250 and 350 films annually. This period birthed legendary stars like Kemal Sunal and Türkan Şoray, while directors like Metin Erksan achieved international acclaim, notably winning the Golden Bear at the 1964 Berlin Film Festival for the film Susuz Yaz. However, the industry faced a sharp decline starting in the late 1970s due to the proliferation of television, economic instability, and political violence.

The post-Yeşilçam era saw a dramatic contraction, with annual releases dropping to just a few films in the early 1990s. A resurgence began in the early 2000s, catalyzed by the commercial success of films like Vizontele in 2001. Today, the industry is characterized by a mix of high-budget commercial hits and experimental works. While it lacks a centralized studio system—with many directors balancing film projects with television and advertising work—Turkish cinema has reclaimed its cultural prominence, with domestic films regularly topping local box office charts.

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