Why the longest-running American sitcom mirrors the fractured, self-referential nature of modern video art

Why the longest-running American sitcom mirrors the fractured, self-referential nature of modern video art
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In short: It is Always Sunny in Philadelphia is a masterclass in absurdity, but its chaotic, narcissistic characters share a strange, structural kinship with the fragmented video installations of Gary Hill. Both the sitcom and Hill’s work deconstruct the human form and identity, turning the mirror on our own unsettling, modern condition.

The sitcom It is Always Sunny in Philadelphia, which premiered in 2005, follows a group of self-absorbed friends running a struggling Irish dive bar in South Philadelphia. While critics often label the show with pejorative terms like "white trash comedy," it functions as a sophisticated engine for satire, skewering everything from class inequality and American foreign policy to the darker corners of human behavior. The characters, led by a core group of five, navigate their lives through a cycle of failed schemes, revenge, and pure schadenfreude.

This relentless focus on the "gang" and their moral decay mirrors the way artist Gary Hill approaches the human body in his 1990 installation, Inasmuch As It Is Always Already Taking Place. Hill uses sixteen monitors to display fragmented, life-size body parts, creating a "kind of debris" that challenges traditional notions of authority and presence. Just as the sitcom’s characters are often unmoored from social norms, Hill’s work treats the body as a landscape, using visceral sounds and disjointed imagery to explore the dichotomy between the self and the other.

The connection lies in the deconstruction of the subject. In the show, the gang’s ignorance and sociopathic tendencies serve as a vehicle to poke fun at social conventions, much like Hill’s work uses a fractured, barely recognizable body to question consciousness and authorship. Both mediums—one a long-running television series, the other a complex video sculpture—use repetition and a lack of traditional narrative cohesion to force the audience to confront the uncomfortable, often absurd reality of being human in a world that feels increasingly fragmented.

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