Is Claude Lanzmann’s nine-hour masterpiece, Shoah, the greatest documentary ever made?

Is Claude Lanzmann’s nine-hour masterpiece, Shoah, the greatest documentary ever made?
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In short: Spanning eleven years of production, Claude Lanzmann’s 1985 documentary Shoah eschews archival footage to confront the Holocaust through raw, present-day testimony. By visiting extermination sites and interviewing survivors, perpetrators, and bystanders, the film creates a haunting, singular act of witness that remains a towering achievement in global cinema history.

Released in 1985, Shoah is a 566-minute documentary that avoids traditional historical footage, relying instead on interviews conducted across 14 countries. Director Claude Lanzmann spent six years recording testimonies and five years editing 350 hours of raw footage. The film focuses on the mechanics of extermination at sites like Treblinka, Auschwitz-Birkenau, and the Chełmno camp, where mobile gas vans were first deployed. By matching survivor accounts to the physical locations of these camps, Lanzmann established a crucial trope of the film, turning the landscape itself into a witness.

The production was fraught with danger and controversy. Lanzmann faced threats to his life and was once hospitalized after being attacked while covertly filming a former Nazi. While the film earned universal acclaim—winning awards from the New York Film Critics Circle and the BAFTA committee—it faced intense backlash in Poland. Critics there, including government officials and writers like Gustaw Herling-Grudziński, argued the film was tendentious, accusing it of ignoring Polish suffering and unfairly framing the Polish populace as complicit in Nazi genocide.

The legacy of the project extends far beyond its initial release. In 2023, UNESCO added the restored 35mm negative and 200 hours of audio interviews to the Memory of the World register. The United States Holocaust Memorial Museum holds the transcripts and outtakes, which have fueled further documentaries, including Lanzmann’s own subsequent films and Adam Benzine’s 2015 profile, Claude Lanzmann: Spectres of the Shoah. Today, the film is consistently ranked among the greatest documentaries ever produced, serving as an expansive, harrowing examination of modern evil.

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