A haunting love story where the ocean is both a grave and a ghost

A haunting love story where the ocean is both a grave and a ghost
Image: Intellect (generated)

In short: In Mati Diop’s 2019 feature debut Atlantics, the Atlantic Ocean serves as more than a backdrop. It is a powerful, unpredictable force that swallows the dreams of young Senegalese men, only to return them as spirits haunting the women they left behind in a suburb of Dakar.

The film follows Ada, a young woman betrothed to a wealthy man, as she mourns her lover, Souleiman. Souleiman is among a group of construction workers who, unpaid for months by a local tycoon, attempt a perilous sea crossing to Spain. When they vanish, their spirits return to possess the inhabitants of Dakar, seeking justice for their stolen wages and demanding the completion of their graves. This supernatural premise transforms a story of migration and class struggle into a haunting, genre-bending exploration of grief and female solidarity.

Mati Diop, who made history at the 2019 Cannes Film Festival as the first Black woman to direct a film in competition, masterfully blends the material reality of Dakar with local mythology and mysticism. Critics have praised the film for its refusal to rely on clichéd magic-realism, instead grounding its supernatural elements in the urgent, lived experiences of its characters. By focusing on those left behind—the women grappling with the absence of their partners—Diop elevates the narrative beyond a simple migrant story, offering a poignant look at autonomy, corruption, and the lingering weight of the past.

The film’s critical reception has been overwhelmingly positive, earning the Grand Prix at Cannes and universal acclaim from reviewers. It was selected as the Senegalese entry for the 92nd Academy Awards, reaching the December shortlist. Beyond its festival success, the film was included on Barack Obama’s list of favorite films of 2019 and was later selected for release by The Criterion Collection. Through its lush score by Fatima Al Qadiri and exquisite cinematography by Claire Mathon, Atlantics remains a transportive, deeply romantic work that finds hope and empowerment even within the most desolate of circumstances.

Ultimately, the film serves as a meditation on the dispossessed. By mixing influences from Arabian thought and the black diaspora, Diop creates a narrative where the victims of exploitation rise as communal heroes. Whether viewed as a ghost story or a social critique, the film succeeds because it treats its characters with dignity, ensuring their voices are heard amidst the rolling, hypnotic waves of the Atlantic.

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