A satirical war film about French colonists in Africa won an unlikely Oscar

A satirical war film about French colonists in Africa won an unlikely Oscar
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In short: In 1976, a debut film about bumbling French settlers in Cameroon during World War I captured the Academy Award for Best Foreign Language Film. By submitting the project through the Ivory Coast, the production secured that nation its only Oscar win for a story that mocks colonial absurdity.

Directed by Jean-Jacques Annaud, the 1976 film Black and White in Color explores the surreal intersection of global conflict and colonial isolation. Set in 1915, the narrative follows a group of French settlers living a leisurely, detached life in a remote African outpost. Their peaceful existence is shattered when a soldier, Gabriel Fouquet, arrives with news of the Great War. Rather than remaining neutral, the colonists decide to launch an amateurish, comical military campaign against the neighboring German colony of Togoland to prove their patriotism.

The film is noted for its sharp, antimilitaristic perspective, often treating the French characters with more biting satire than their German rivals. As the motley group led by De Sorgue and Sergeant Bosselet traverses the wilderness, they encounter cultural misunderstandings and environmental hazards. Through these misadventures, the story highlights the futility of war and the inherent contradictions of the colonial system. It forces the characters to confront the gap between their romanticized notions of heroism and the harsh, messy reality of their actions.

Critical reception was largely positive, with reviewers like John Simon calling it an absolute gem, while Roger Ebert praised its commentary on race and colonialism. On Rotten Tomatoes, the film maintains a perfect approval rating based on six reviews. The title itself is derived from the opening line of the French military anthem Le Chant du départ, underscoring the irony of the film's tone. By the time the colonists realize the true nature of their conflict, the audience has been taken on a journey that challenges the very foundations of colonial pride and nationalistic fervor.

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