Why Jackie Chan fought as a video game character in a 1993 action comedy

Why Jackie Chan fought as a video game character in a 1993 action comedy
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In short: The 1993 film City Hunter transformed Jackie Chan into a live-action Street Fighter character, complete with a hallucination-induced battle. Directed by Wong Jing and based on a popular manga, the production was a chaotic, scriptless affair that pushed Chan to his physical limits while becoming a major East Asian box office hit.

The film adaptation of Tsukasa Hojo’s 1985–91 manga series City Hunter was born from a poll of Japanese Jackie Chan fans who expressed strong enthusiasm for the actor portraying the lead character, Ryo Saeba. In the film, Saeba is a womanizing private investigator who finds himself on a luxury cruise ship, the Fuji Maru, which is hijacked by a group of terrorists led by an ex-US Special Forces Colonel named MacDonald. The plot follows Saeba as he attempts to locate a runaway heiress while navigating romantic entanglements and a high-stakes hostage situation.

Production was notoriously unconventional. According to actors Richard Norton and Gary Daniels, director Wong Jing operated without a formal script, instead providing daily dialogue for the cast to ad-lib. This improvisational approach was compounded by severe time constraints to meet a Chinese New Year release date. The physical toll on the lead actor was significant; Chan suffered a dislocated shoulder and a broken ankle during filming. To save time on reshoots, stunt performer Mars doubled for Chan during the final fight sequence against Norton.

The film is perhaps best remembered for a surreal sequence where Saeba, suffering from an electric shock, hallucinates that his opponent is a character from Street Fighter II. Notably, the character E. Honda was renamed E. Honde to avoid conflict with Chan’s existing contract with Mitsubishi Motors. Despite mixed critical reception in later years—with some reviewers arguing it fails as an adaptation while succeeding as a fun action flick—the film was a commercial success in East Asia, grossing approximately US$14.58 million across Hong Kong, Japan, Taiwan, and South Korea.

The film’s legacy also includes a controversial scene involving a rant about foreign tourists that was removed from initial releases due to concerns over its homophobic content. While the film’s slapstick style and loose narrative structure drew criticism, it remains a distinct entry in Chan’s filmography, blending manga-inspired absurdity with the high-octane stunt work that defined his career.

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