How a Hollywood war film accidentally invented a resistance myth about a Nazi assassin

How a Hollywood war film accidentally invented a resistance myth about a Nazi assassin
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In short: Released in 1943, Hangmen Also Die! dramatized the assassination of Reinhard Heydrich, the Nazi Reich Protector of Bohemia and Moravia. Because the true details of the operation remained unknown during production, the film created a fictionalized resistance narrative that became a powerful piece of wartime propaganda and Academy Award-nominated art.

Directed by Fritz Lang and based on a story by Bertolt Brecht, the film depicts the assassination of the brutal 'Hangman of Europe' by a fictional Czech resistance member. While the real-life Operation Anthropoid involved Czechoslovak soldiers parachuted from a British plane, the film portrays the killer as a local resistance operative with communist ties. This creative liberty was born of necessity; the actual circumstances of Heydrich’s death were not public knowledge when the film entered production in late October 1942.

The production was a collision of Hollywood and European exile talent. Brecht, who received only story credit after a contentious Writers Guild dispute, used the earnings to fund his own literary projects. The film’s score, composed by Hanns Eisler, earned an Academy Award nomination, reflecting the high artistic stakes Lang placed on the project. Critics at the time, including James Agee, praised its 'clever melodrama' and 'Querschnitt sophistication,' though some later reviewers like Leslie Halliwell found the propaganda heavy-handed.

The film’s legacy is as much about its off-screen drama as its plot. The world premiere in Prague, Oklahoma, featured effigies of Axis leaders being hanged, underscoring the film's role as a tool for morale. Behind the scenes, the struggle for authorship between Brecht and screenwriter John Wexley highlighted the precarious position of European intellectuals in the American studio system. Though the film was eventually overshadowed by the historical reality of the war, it remains a fascinating artifact of how cinema attempted to process the horrors of the Holocaust in real-time.

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