How a failed sequel plan birthed the prehistoric prequel The Flintstones in Viva Rock Vegas

How a failed sequel plan birthed the prehistoric prequel The Flintstones in Viva Rock Vegas
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In short: When John Goodman refused to return for a sequel to the 1994 hit, Universal pivoted to a prequel. Released in 2000, the film reimagined the origins of Fred and Barney, featuring an alien sidekick and a villainous casino owner, but struggled to replicate the financial success of its predecessor.

Following the massive success of the 1994 film, Universal Pictures initially intended to produce two sequels back-to-back. However, lead actor John Goodman, fearing typecasting, successfully lobbied executive producer Steven Spielberg to be released from the project. Consequently, director Brian Levant retooled the production into a prequel, focusing on the early days of the iconic couples in Bedrock. The final film, released on April 28, 2000, featured an entirely new cast, with Mark Addy as Fred, Stephen Baldwin as Barney, Kristen Johnston as Wilma, and Jane Krakowski as Betty.

The plot centers on Fred and Barney as they navigate their new jobs at Slate & Company and their pursuit of romance. They are aided by The Great Gazoo, an exiled alien, while Wilma attempts to escape her controlling mother and a marriage proposal from the duplicitous casino owner Chip Rockefeller. The film was originally envisioned as a full-blown musical, though Universal ultimately rejected that concept, allowing only three musical numbers to remain in the final cut. Alan Cumming played the dual roles of the alien Gazoo and the Mick Jagger parody, Mick Jagged.

Critically, the film faced challenges, holding a 26% score on Rotten Tomatoes and a 27 out of 100 rating on Metacritic. Despite these negative reviews, audiences polled by CinemaScore awarded it a B+, matching the grade received by the 1994 original. Financially, the film underperformed relative to expectations, grossing approximately $59.5 million worldwide against an $83 million budget. This stood in stark contrast to the first film, which had earned $358.5 million globally. While no further sequels were planned, Levant later mused about potential future directions, such as a Western-themed installment inspired by the Marx Brothers and Buster Keaton.

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