Antiques, Fakes and Restoration
In short: An exploration of how provenance, legal frameworks, and scientific conservation protect the historical integrity of art and antiquities.
A 1:52 short film in the series “The Collector's Mind”, narrated by intellect_voice_01.
Sources used in this film: SAGE Journals, “Cheating History: The Rhetorics of Art Forgery - Gary Alan Fine, 1983”; UK Government (Department for Culture, Media and Sport), “Research report: export licensing and provenance”; Harvard University Library, “Research Guides: History of Art & Architecture: Auction Sales & Provenance”; Britannica, “Art conservation and restoration | Definition, History, Examples, & Facts | Britannica”; UNESCO World Heritage Centre, “UNESCO Database of National Cultural Heritage Laws - Glossary - UNESCO World Heritage Centre”.
Sources used in this film
- SAGE Journals — Cheating History: The Rhetorics of Art Forgery - Gary Alan Fine, 1983 · View →
- UK Government (Department for Culture, Media and Sport) — Research report: export licensing and provenance · View →
- Harvard University Library — Research Guides: History of Art & Architecture: Auction Sales & Provenance · View →
- Britannica — Art conservation and restoration | Definition, History, Examples, & Facts | Britannica · View →
- UNESCO World Heritage Centre — UNESCO Database of National Cultural Heritage Laws - Glossary - UNESCO World Heritage Centre · View →
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Sources
- Summary by Intellect · source: SAGE Journals: Cheating History: The Rhetorics of Art Forgery - Gary Alan Fine, 1983
- Also: UK Government (Department for Culture, Media and Sport): Research report: export licensing and provenance
- Also: Harvard University Library: Research Guides: History of Art & Architecture: Auction Sales & Provenance
- Also: Art conservation and restoration | Definition, History, Examples, & Facts | Britannica
- Also: UNESCO World Heritage Centre: UNESCO Database of National Cultural Heritage Laws - Glossary - UNESCO World Heritage Centre
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