How one actor's portrayal of evil became so convincing that parents stopped naming children Pran.

How one actor's portrayal of evil became so convincing that parents stopped naming children Pran.
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In short: Pran Krishan Sikand was so effective as a Bollywood villain that his given name fell into social disuse. Over a six-decade career, he evolved from a romantic lead into the industry's most feared antagonist, eventually commanding higher pay than many of his heroic co-stars before reinventing himself as a character actor.

Born in 1920, Pran began his career in 1940 with the Punjabi film Yamla Jat. After the 1947 partition of India forced a move from Lahore to Bombay, he struggled briefly before his role in the 1948 film Ziddi launched his career as a premier villain. His performances were the first true personification of evil in Hindi cinema, characterized by intense portrayals and a signature habit of blowing smoke rings. His impact was so profound that audiences often flocked to theaters specifically to see him, and his name became synonymous with the negative characters he played.

Pran’s versatility allowed him to navigate multiple genres, from historical dramas to action thrillers. By the late 1960s, he began shifting away from pure villainy toward more sympathetic character roles, most notably as the veteran war hero in the 1967 film Upkar. This transition earned him his first Filmfare Award for Best Supporting Actor. He remained a prolific force, acting in over 362 films and maintaining a close professional and personal friendship with actor Ashok Kumar, with whom he appeared in 27 films between 1951 and 1987.

His influence extended to the next generation of stars, including Amitabh Bachchan, whom Pran recommended for the lead in the 1973 film Zanjeer. Even as he aged, he continued to work, occasionally making exceptions to help friends during difficult career periods. By the time of his death in 2013 at age 93, he had been honored with the Padma Bhushan and the Dadasaheb Phalke Award. His legacy is immortalized not just in his vast filmography, but in the unique credit style of his films, which often listed his name last with the phrase '...and Pran'.

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