Sergei Polunin: From the Royal Ballet’s youngest principal to a polarizing international figure

Sergei Polunin: From the Royal Ballet’s youngest principal to a polarizing international figure
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In short: Sergei Polunin shattered records as the youngest male principal dancer in the history of the British Royal Ballet. Yet, his trajectory shifted from classical prestige to a volatile freelance career defined by viral performances, controversial public statements, and an increasingly complex political identity that has left the dance world divided.

Born in Kherson, Ukrainian SSR, in 1989, Sergei Polunin’s early life was defined by rigorous training. After years in gymnastics, he transitioned to ballet at age eight, eventually moving to Kyiv for specialized schooling. His talent propelled him to the British Royal Ballet School by age 13, and by 2010, at just 20 years old, he became the company's youngest-ever male principal dancer. Critics at the time praised his steely technique and commanding stage presence, particularly in roles like the Knave in Alice’s Adventures in Wonderland.

The trajectory of his career took a sharp turn in 2012 when he abruptly resigned from the Royal Ballet, citing deep personal unhappiness. This marked the beginning of a nomadic, freelance phase. He found new artistic homes in Russia, collaborating with figures like Igor Zelensky, and eventually expanded his reach through high-profile media projects. His 2015 viral dance video to Hozier’s Take Me to Church brought him unprecedented international fame, while his 2017 project, Polunin Ink, aimed to bridge the gap between classical ballet and contemporary creative collaborations.

However, Polunin’s public life has been marked by significant friction. In 2019, the Paris Opéra Ballet rescinded an invitation for him to perform in Swan Lake following his inflammatory social media posts. His political alignment has also drawn intense scrutiny; he has openly supported the 2022 Russian invasion of Ukraine and participated in government-organized events, even performing in military uniform. These actions have led to his censure and the revocation of his Ukrainian citizenship in 2025, cementing his status as a figure whose artistic brilliance is now inextricably linked to his contentious political choices.

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