How a group of dancers improvised a descent into hell in just fifteen days

How a group of dancers improvised a descent into hell in just fifteen days
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In short: Gaspar Noé’s 2018 film Climax follows a French dance troupe whose celebratory after-party turns into a nightmare when their sangria is spiked with LSD. Shot in chronological order with almost no scripted dialogue, the film captures a collective psychological collapse through raw, unrehearsed performances and long, technically ambitious takes.

Conceived in early 2018, Climax was an experiment in rapid, organic filmmaking. Director Gaspar Noé, inspired by a vogue ballroom, cast mostly non-actors found in krumping battles and dance clubs. Aside from leads Sofia Boutella and Souheila Yacoub, the cast had no prior acting experience. Noé provided only a basic premise and character traits, leaving the dancers to improvise their dialogue and reactions to the drug-induced chaos. This approach allowed the story to evolve naturally, with Noé even adjusting character arcs based on the performers' input during the 15-day shoot in an abandoned Parisian school.

The film is defined by its technical audacity, featuring long, continuous takes that heighten the sense of claustrophobia. One sequence lasts over 42 minutes, nearly half the film's runtime. Noé operated the camera himself, often deciding on framing only moments before filming. While the film depicts a descent into psychosis, Noé insisted he was not interested in simulating the subjective experience of drugs. Instead, he aimed for a documentary-style observation of how fear and group dynamics can lead to a total breakdown of order, comparing the collapse to the biblical story of the Tower of Babel.

Upon its release, Climax received generally favorable reviews, with critics praising its cinematography, soundtrack, and choreography. However, it remained a polarizing work; some reviewers lauded its visceral energy and technical brilliance, while others criticized its extreme violence and perceived lack of narrative structure. Despite the intensity of the subject matter, Noé described the production as joyful and friendly. The film ultimately grossed $1.7 million worldwide against a $2.9 million budget, marking a unique entry in Noé’s filmography that even he noted was surprisingly well-received compared to his earlier, more controversial projects.

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