A haunting journey through the Amazon, where colonial destruction meets the last indigenous shaman.

A haunting journey through the Amazon, where colonial destruction meets the last indigenous shaman.
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In short: Embrace of the Serpent captures the tragic collision between Western ambition and Amazonian tradition. Through two parallel journeys thirty years apart, a lone shaman guides foreign scientists in search of a sacred, fictional plant. It is a visually arresting, black-and-white meditation on the erasure of cultures and the resilience of memory.

Directed by Ciro Guerra and released in 2015, the film draws inspiration from the travel logs of explorers Theodor Koch-Grünberg and Richard Evans Schultes. It follows Karamakate, the final survivor of his tribe, as he assists two different outsiders. In 1909, he travels with a dying German ethnographer, Theo, who seeks a rare plant to cure his illness. Decades later, in 1940, he encounters an American botanist named Evan, who claims to be continuing the earlier quest but is secretly driven by the need for rubber during wartime shortages.

The narrative serves as a critique of the colonial exploitation that devastated the Amazon. Through the lens of the rubber boom and the influence of missionaries, the film illustrates how Western knowledge—symbolized by compasses and field notes—often extracts the spirit and humanity from indigenous lands. Guerra emphasizes this by contrasting the lush, dangerous jungle with the violent, forced conversion of local children at Catholic missions. The film’s aesthetic, shot in stark black and white, mimics the early twentieth-century daguerreotypes that originally documented the region.

Production was a collaborative effort, involving extensive research and the participation of local indigenous communities. Guerra spent two and a half years preparing, eventually casting Antonio Bolívar, one of the few remaining Ocaina people, as the older Karamakate. The film was shot on location in the Colombian Amazon, including the Vaupés and Guainía departments. By integrating multiple indigenous languages and working closely with local consultants to refine the script, the production sought to honor the cultures it depicts, even as it acknowledges that the film remains an imagined representation of a complex, vanishing world.

The film achieved significant international recognition, becoming the first Colombian entry to be nominated for the Academy Award for Best Foreign Language Film in 2016. Critics lauded its sensory depth and its ability to blend the mystical with the historical. For the indigenous communities involved, the film was a point of pride, sparking a desire to see it screened repeatedly in the very jungles where it was filmed.

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