Can a long-distance romance survive the pressures of a modern, recession-era career?
In short: In the 2010 romantic comedy Going the Distance, Erin and Garrett attempt to bridge the gap between New York and San Francisco. While the film explores the harsh realities of modern relationships and professional ambition, it leaves audiences questioning whether chemistry is enough to overcome the strain of geography.
Directed by Nanette Burstein and written by Geoff LaTulippe, Going the Distance follows the trajectory of a couple who meet in New York City during a brief internship. Their relationship is tested when Erin returns to San Francisco, forcing them to navigate the logistical and emotional hurdles of a long-distance arrangement. The film attempts to ground its narrative in the realities of a recession-era economy, where career opportunities often dictate where people live, creating conflict for two-career couples.
Critical reception of the film was decidedly mixed. While some reviewers, such as A. O. Scott of The New York Times, praised its insight into the comic potential of frequent-flier love, others found the execution lacking. Critics noted a tension between the film's attempt at honesty regarding modern dating and its reliance on raunchy humor. On Rotten Tomatoes, it holds a 54% approval rating, with many critics suggesting that the screen chemistry between leads Drew Barrymore and Justin Long could not fully compensate for a convoluted plot.
Commercially, the film faced challenges. Originally slated for an August 27, 2010 release, Warner Bros. pushed the date to September 3 to capitalize on the Labor Day holiday weekend and distance it from other female-driven films. Despite this strategy, it opened in 3,030 theaters and grossed $6.88 million in its opening weekend. Ultimately, the film earned $42.05 million worldwide against a $32 million budget, reflecting a modest performance that mirrored its polarized critical standing.
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