How Disney transformed a violent Greek myth into a 1990s screwball comedy

How Disney transformed a violent Greek myth into a 1990s screwball comedy
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In short: Directors Ron Clements and John Musker reimagined the legendary Heracles for their 1997 film, Hercules. By stripping away the darker elements of the original mythology, they crafted a story inspired by classic Hollywood comedies, featuring a demigod hero who must learn the true meaning of heroism to regain his lost divinity.

Development of the project began in 1992 after animator Joe Haidar pitched a story based on Greek mythology. Directors Ron Clements and John Musker, fresh off the success of Aladdin, joined the production in 1993. They intentionally moved away from traditional myths, which they felt were too dark for a Disney film. Specifically, they avoided the story of Hercules's birth through Zeus's adulterous affair with the mortal Alcmene, as well as Hera's subsequent lifelong torment of the hero. Instead, they reimagined Hades as the primary antagonist, creating a visual contrast between the dark Underworld and Mount Olympus.

The directors drew inspiration from 1990s popular culture and screwball comedies from the classic Hollywood era. Musker noted that they viewed Hercules as a young Jimmy Stewart in Mr. Smith Goes to Washington, while the character Megara was modeled after Barbara Stanwyck. To maintain a distinct aesthetic, they recruited British cartoonist Gerald Scarfe as production designer. Scarfe produced over 700 character designs, drawing inspiration from the style of ancient Greek vase paintings. The production, which cost $85 million, utilized computer animation for complex sequences, most notably the battle against the Hydra.

Casting the film proved to be a lengthy process. While Danny DeVito was always the intended voice for Philoctetes, the role of Hades was notoriously difficult to fill. Jack Nicholson was initially approached, but negotiations collapsed over his demand for a $10–15 million salary and 50 percent of merchandise proceeds. After John Lithgow was released from the role following nine months of development, James Woods was hired in October 1995. Woods fundamentally altered the character, ad-libbing much of his dialogue and shifting Hades from a quiet, menacing figure into a fast-talking, cynical villain. Released on June 27, 1997, the film earned $252.7 million worldwide.

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