How a 1959 sci-fi classic turned rhinoceros iguanas into prehistoric monsters

How a 1959 sci-fi classic turned rhinoceros iguanas into prehistoric monsters
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In short: The 1959 adaptation of Jules Verne's Journey to the Center of the Earth remains a landmark of practical effects. To bring the subterranean world to life, filmmakers used unconventional methods, including gluing makeup appliances onto live lizards. It was a chaotic, high-stakes production that defined the era's blockbuster adventure style.

Directed by Henry Levin and released by 20th Century Fox in 1959, the film was a significant commercial success, grossing $10 million against a $3.44 million budget. While based on the 1864 novel by Jules Verne, the screenplay by Charles Brackett and Walter Reisch took substantial creative liberties. Reisch, who had studied Verne extensively, admitted that the film retained little beyond the basic premise, inventing new characters like the professor's wife and the villainous Count Saknussemm to provide a more cohesive narrative structure.

The production was marked by intense physical demands and last-minute changes. Clifton Webb was originally cast as Professor Lindenbrook, but a medical emergency forced him to withdraw, leading to the casting of James Mason. Mason, who had previously starred in Disney's 20,000 Leagues Under the Sea, brought a gravitas that anchored the film. The shoot itself was grueling; scenes were filmed in locations ranging from Edinburgh to Carlsbad Caverns. During the filming of a tumultuous whirlpool sequence, actress Arlene Dahl fainted after being subjected to hundreds of gallons of water on a tilting platform, requiring 30 minutes to revive.

The film's visual spectacle relied on clever, low-tech ingenuity. The giant dimetrodons encountered by the explorers were actually rhinoceros iguanas fitted with glued-on makeup appliances, while a monitor lizard stood in for a creature in the ruins of Atlantis. Despite some contemporary criticism regarding its pacing and musical interludes, the film earned three Academy Award nominations, including nods for its special effects and art direction. Today, it is remembered as a quintessential example of 1950s science fiction that successfully balanced pulp adventure with ambitious, if dated, cinematic craft.

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