Buster Keaton’s most iconic stunt relied on a single nail and two tons of wood.

Buster Keaton’s most iconic stunt relied on a single nail and two tons of wood.
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In short: In the 1928 silent comedy Steamboat Bill, Jr., Buster Keaton performs a death-defying feat: a two-ton house facade collapses around him, leaving him unscathed only because he stands in the precise spot of an open window. It remains one of cinema's most imitated and dangerous moments of physical performance.

Released in 1928, Steamboat Bill, Jr. marked the final independent production for Buster Keaton. Directed by Charles Reisner with Keaton as an uncredited co-director, the film was a massive technical undertaking. Keaton spent over $100,000 on sets in Sacramento, including a pier, and an additional $25,000 on a cyclone sequence that utilized six powerful Liberty-motor wind machines. This storm sequence alone accounted for one-third of the film's total budget, which was estimated between $300,000 and $404,282.

The film's centerpiece is a stunt where a building front falls around Keaton. He stood on a nail to ensure he was perfectly positioned; had he been off by even a few inches, the two-ton structure likely would have killed him. While some have speculated that Keaton’s willingness to perform such high-stakes stunts stemmed from personal despair or alcohol abuse, Keaton himself later described the act as a thrill, noting he felt 'mad at the time' for attempting it. He had previously performed similar, though less elaborate, stunts in his earlier works, such as 1919's Back Stage and 1920's One Week.

Despite its current status as a masterpiece, the film was a box-office failure upon release and received mixed reviews. Critics like Mordaunt Hall of the New York Times dismissed it as a 'sorry affair,' while others, such as Variety, praised it as one of Keaton's best. Today, the film is celebrated for its technical ambition and influence, having been selected for the National Film Registry in 2016. Its legacy persists through countless recreations of the falling-house stunt in television, music videos, and films, including works by Steve McQueen and Jackie Chan.

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