A Soviet teacher fights tradition to bring literacy to a remote Kirghiz village

A Soviet teacher fights tradition to bring literacy to a remote Kirghiz village
Image: Intellect (generated)

In short: In 1965, director Andrei Konchalovsky debuted with The First Teacher, a stark drama set in the aftermath of the Russian Civil War. It follows Dyuyshen, a former Red Army soldier turned teacher, as he attempts to bring education to a resistant village, sparking a clash between Soviet ideology and local custom.

The film, based on a novella by Chinghiz Aitmatov, centers on Dyuyshen, a Komsomol member sent to a remote village in what is now Kyrgyzstan. His mission to educate the local children is met with immediate hostility from parents who view his presence and his teachings with deep suspicion. Dyuyshen struggles to engage his students, even facing conflict when a child innocently questions the mortality of Lenin.

The narrative intensifies through his relationship with Altynai, an illiterate girl eager to learn. Despite initial resistance from her family, she begins attending school, only to be forcibly married to a wealthy chieftain. Dyuyshen’s attempt to rescue her with the help of Soviet authorities leads to further alienation, as the villagers accuse them of violating local traditions. An elder named Kartybay explicitly criticizes Dyuyshen for his disregard for the community’s established customs and lack of cultural sensitivity.

Ultimately, Dyuyshen arranges for Altynai to be sent to Tashkent for her safety and education. Upon his return to the village, he discovers his school has been destroyed by fire. Though the villagers force him to leave, the film concludes with a defiant act: Dyuyshen begins cutting down an ancient poplar tree, vowing to construct a new school in its place. This powerful imagery highlights the central conflict of the film—the painful, often violent transition between traditional life and the new Soviet order.

The First Teacher marked a significant milestone in Konchalovsky’s career as his first full-length work. Its impact was recognized internationally, notably at the 1966 Venice Film Festival, where Natalia Arinbasarova received the Volpi Cup for Best Actress. The film also earned a Silver Medal at the same festival and later secured a Jussi Award for Best Foreign Director in Finland in 1973.

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