The 1932 film that defined the tragic Hollywood rise-and-fall archetype for decades
In short: Before A Star Is Born became a cinematic staple, George Cukor directed What Price Hollywood? in 1932. This pre-Code drama established the template of a rising starlet eclipsed by her alcoholic mentor’s downward spiral. It remains a foundational, if often overlooked, blueprint for the industry's most enduring cautionary tale.
Released in 1932, What Price Hollywood? follows Mary Evans, a waitress who finds fame under the guidance of Max Carey, a talented but deeply troubled director. As Mary’s career ascends, Max’s life unravels due to alcoholism, eventually leading to his suicide. The film was produced by David O. Selznick at RKO, who originally sought Clara Bow for the lead role before casting Constance Bennett. Bennett, who considered this her finest performance, starred alongside Lowell Sherman in a story loosely inspired by the real-life experiences of actress Colleen Moore and producer John McCormick, as well as the tragic death of director Tom Forman.
The film’s narrative structure became the definitive template for the A Star Is Born franchise. While the 1937 William Wellman film and its subsequent remakes—including Cukor’s own 1954 musical version—are better known today, they all owe their core dramatic arc to this earlier work. The similarities were so striking that RKO executives briefly considered filing a plagiarism suit against Selznick International Pictures when the 1937 production was announced. Ultimately, the studio opted against legal action, and the original writers of the 1932 film received no credit for the later iterations.
Despite being a box-office success, the film reportedly lost $50,000 according to RKO records. Contemporary critics were divided; The New York Times noted the film’s uneven tone, while Variety labeled it a fan-magazine interpretation of the industry that would appeal to the general public. Today, the film serves as a vital historical marker in George Cukor’s career. It solidified his reputation as a director capable of eliciting powerful performances from actresses, a skill that would define his work for the next fifty years, even as he navigated the complexities of being a gay man in a homophobic industry.
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Sources
- Summary by Intellect · source: What Price Hollywood? | film by Cukor [1932] | Britannica
- Also: What Price Hollywood?
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