César Vallejo: The Peruvian Poet Who Predicted His Own Death on the Wrong Day
In short: César Vallejo is hailed as one of the 20th century's greatest poets, yet he published only two books in his lifetime. A life defined by political persecution, exile, and poverty, his work pushed language to radical extremes, influencing the avant-garde long before the surrealist movement even officially began.
Born in 1892 in the remote Andean village of Santiago de Chuco, Vallejo was the youngest of eleven children. His early life was marked by the harsh realities of labor at the Roma Hacienda, where he witnessed the exploitation of workers—an experience that deeply informed his later Marxist politics and aesthetic sensibilities. After moving to Lima in 1911, he became a fixture of the local avant-garde, though his life was soon upended by tragedy and injustice. In 1920, he was falsely accused of arson and looting, leading to 112 days in a Trujillo jail. This experience of 'hell' haunted him, eventually forcing him into permanent exile in Europe.
Vallejo’s literary output was as unconventional as his life. His 1922 collection, Trilce, remains a landmark of avant-garde literature, noted for its invented words and fractured syntax. While he lived in dire poverty in Paris, often sharing his struggles with Pablo Picasso, he continued to write prolifically. He produced plays, reportage on the USSR, and politically charged prose that publishers of the time refused to touch. His final burst of poetic activity during the Spanish Civil War resulted in works like España, aparta de mí este cáliz, which Harold Bloom later included in the Western Canon.
His death in Paris on April 15, 1938, was as poetic as his life. Despite his famous poem 'Black Stone on a White Stone' seemingly predicting he would die on a Thursday, he passed away on a rainy Friday. His remains, initially interred in the Montrouge cemetery, were moved by his widow, Georgette Vallejo, to the Montparnasse cemetery in 1970. Today, he is remembered not just as a Peruvian writer, but as a universal voice whose work continues to challenge the boundaries of language and political thought.
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