Is the Hollywood canon actively erasing diverse cinematic history?
In short: Film's 'ten best' lists are often criticized for mirroring historical inequalities. This lecture explores how these established canons can hinder our understanding of global filmmaking and suggests what a more inclusive, newly assessed list might look like.
Ian Christie examines how traditional standards of taste in film—much like those in literature and art—have been challenged by movements for sexual and ethnic equality. He argues that the dominance of Hollywood and European art cinema in 'best of' lists can actively obstruct awareness of achievements made by filmmakers outside these spheres.
The lecture invites viewers to consider a reimagining of cinematic value. By questioning who gets to define a 'classic,' Christie seeks to identify what a more representative canon would prioritize.
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Sources
- Summary by Intellect · source: Far From Hollywood: New Kinds of Classic Film
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