How a Pittsburgh cub reporter became the final voice of the Algonquin Round Table

How a Pittsburgh cub reporter became the final voice of the Algonquin Round Table
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In short: Marc Connelly was a central figure in the legendary Algonquin Round Table, a writer who transitioned from selling newspaper ads to winning the Pulitzer Prize. His career spanned decades, from early Broadway collaborations with George S. Kaufman to teaching at Yale and acting in films alongside Hollywood icons like James Stewart.

Born in 1890 in Pennsylvania, Connelly’s path to literary success began in the trenches of journalism. After his father’s death in 1902, he supported his mother by selling advertising space, eventually securing roles as a reporter for the Associated Press and The Pittsburgh Gazette Times. His transition to theater was gradual, starting with local skits and one-act plays before he moved to New York City to cover the theater beat for The Morning Telegraph.

In 1921, Connelly formed a pivotal partnership with George S. Kaufman. Over four years, the duo produced a string of successful comedies, including Dulcy and Beggar on Horseback, while also contributing to various musical revues. Connelly later achieved solo acclaim with his 1926 fantasy The Wisdom Tooth. His most significant achievement arrived in 1930 when he won the Pulitzer Prize for Drama for The Green Pastures, a bold retelling of Old Testament stories that made history by featuring an all-black cast on Broadway.

Beyond his writing, Connelly maintained a diverse career as an educator and performer. He spent four years, beginning in 1946, instructing students in drama at Yale University. Later in life, he embraced acting, appearing in over 20 films, including the 1957 production The Spirit of St. Louis. By the time of his death in 1980 at age 90, he had become the last surviving member of the famed Algonquin group, leaving behind a legacy captured in his 1968 memoir, Voices Offstage.

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