When portraiture becomes a stage for theatrical performance

The Artist Project: Paul Tazewell · 3:02 · Video: The Met · Watch at the source

In short: Costume designer Paul Tazewell breaks down the dramatic visual language of Anthony van Dyck’s portraits. Watch as he explores how these historical works function as pieces of theater rather than mere likenesses.

In this episode of The Artist Project, Paul Tazewell examines the deliberate affectation and staging found in the portraits of Anthony van Dyck. Tazewell, an American designer known for his work in theater, dance, and opera, interprets these works through the lens of performance.

The analysis highlights how the costumes and poses in the collection serve as a form of visual storytelling. By treating the portraits as theatrical productions, Tazewell reveals the intentionality behind how historical figures were presented to the world.

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