How do artifacts of violence shape the monumental sculptures of Tim Shaw?
In short: Royal Academician Tim Shaw explores the intersection of his own sculptural practice with the Imperial War Museums collection. By examining objects ranging from First World War camouflage to remnants of modern terrorism, Shaw reflects on how conflict leaves an indelible mark on artistic creation.
Tim Shaw RA connects his monumental works to specific, haunting artifacts held by the IWM. He contemplates a First World War sniper’s robe, originally designed with techniques taught by Lovat Scouts to mimic the natural environment. Shaw notes the unsettling quality of the garment, which retains a lifelike presence even when displayed on a mannequin.
The artist also draws parallels between the wreckage of a car destroyed in a 2007 Baghdad bombing—which killed 38 people—and a piece of steel salvaged from the World Trade Centre. These objects, which have featured in exhibitions like Jeremy Deller’s 2009 project, serve as visceral reminders of the Iraq War and the September 11 attacks, both of which have profoundly influenced Shaw’s creative output.
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Sources
- Summary by Intellect · source: Tim Shaw RA| Parallel Lives: RA Artists and the IWM Collection
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