Why was the most influential American postmodernist once dubbed Mr. Difficult?

Why was the most influential American postmodernist once dubbed Mr. Difficult?
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In short: William Gaddis was a titan of post-war literature whose sprawling, complex novels defined a generation of writers. Yet, his debut was initially panned by critics as disgusting and overwritten. Today, he is celebrated as a MacArthur Fellow and a master whose subterranean influence shaped the trajectory of modern American fiction.

Born in New York City in 1922, William Gaddis emerged as a foundational figure in postmodern literature. His career began with the 1955 publication of The Recognitions, a massive, allusive novel that initially baffled contemporary reviewers. Critics dismissed the work as overly intellectual and messy, leaving it to find its audience years later, notably after Jack Green published a series of broadsheets titled Fire the Bastards! to defend the book against its detractors.

Gaddis’s path to literary acclaim was unconventional. He spent years working in public relations for corporations like IBM and Pfizer to support his writing, a period that informed the cynical, corporate-saturated worlds of his later fiction. His second novel, J R (1975), was a breakthrough that won the National Book Award for Fiction. Told almost entirely through unattributed dialogue, it follows an 11-year-old boy who builds a financial empire after a school field trip, showcasing Gaddis’s sharp, sardonic eye for American life.

As his career progressed, his work grew increasingly focused on themes of litigation, religious fundamentalism, and systemic decay. His final novel, A Frolic of His Own (1994), earned him a second National Book Award. By the time of his death in 1998, Gaddis had become a literary hero to authors like Don DeLillo, Thomas Pynchon, and David Foster Wallace. Jonathan Franzen, who famously labeled him Mr. Difficult, noted the paradox of his career: while his work became progressively angrier, it remained a vital, if challenging, pillar of the American canon.

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