How George Harrison escaped the Beatles to create a landmark triple-album masterpiece
In short: Released in 1970, All Things Must Pass was George Harrison's explosive solo debut after the Beatles' dissolution. It transformed his overlooked compositions into a spiritual and sonic triumph, utilizing Phil Spector's Wall of Sound to capture a massive, orchestral atmosphere that remains a definitive high point of post-Beatles rock history.
Following the Beatles' 1970 break-up, George Harrison finally unleashed a stockpile of songs that had been rejected by John Lennon and Paul McCartney. Harrison had been creatively stifled, but his 1968–70 collaborations with Bob Dylan, the Band, and Billy Preston provided the confidence to pursue his own path. He viewed this triple album—which included a third disc of informal jams titled Apple Jam—as his true solo debut, despite two previous experimental releases.
The recording process at EMI Studios, beginning in May 1970, was defined by Phil Spector’s signature Wall of Sound. Spector layered multiple keyboards, drummers, and rhythm guitarists to create a dense, resonant texture. Harrison fostered a collaborative environment, contrasting sharply with the rigid direction he had endured in the Beatles. The sessions featured a massive cast of rock royalty, including Eric Clapton, Ringo Starr, and members of Delaney & Bonnie’s band, who would soon form Derek and the Dominos.
Lyrically and musically, the album reflects Harrison’s spiritual journey, particularly his immersion in the Hare Krishna movement and Vaishnavist Hinduism. Tracks like 'My Sweet Lord' blended gospel with Hindu bhajan traditions, while others addressed the friction of the Beatles' final days. Songs such as 'Wah-Wah' and 'Run of the Mill' served as direct responses to the band's internal collapse. The album was a massive commercial success, eventually achieving seven-times platinum certification.
While the 'Wall of Sound' was initially shocking to Harrison, he grew to embrace the production. The sessions were prolific, yielding enough material for a double album's worth of unissued tracks. Decades later, the record is widely considered the finest solo work by any former Beatle, cementing Harrison’s legacy as a songwriter who had finally bloomed beyond his supporting role.
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- Summary by Intellect · source: All Things Must Pass
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