George M. Cohan was the first artist to receive the Congressional Gold Medal.

George M. Cohan was the first artist to receive the Congressional Gold Medal.
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In short: Known as the man who owned Broadway, George M. Cohan was a prolific entertainer who wrote over 300 songs and 50 musicals. Beyond his stage success, he pioneered the modern book musical and secured a unique place in American tax law, leaving a legacy that remains etched in Times Square.

Born in 1878, George M. Cohan began his career as a child performer in his family's vaudeville act, The Four Cohans. By the early 20th century, he had become a dominant force in American theatre, writing, producing, and starring in dozens of Broadway hits. His work was characterized by catchy melodies and a focus on average characters, which helped him bridge the gap between drama and music, effectively pioneering the book musical long before the genre became a Broadway staple.

Cohan’s influence extended into the legal and political spheres. In 1930, he won a landmark tax case against the Internal Revenue Service that established the 'Cohan rule,' allowing taxpayers to estimate business expenses when exact documentation is unavailable. His patriotic contributions were equally significant; in 1940, President Franklin D. Roosevelt awarded him the Congressional Gold Medal for his morale-boosting World War I songs, such as 'Over There' and 'You're a Grand Old Flag.' He was the first artist to receive this honor, which had previously been reserved for military leaders, explorers, and scientists.

Despite his immense success, Cohan’s career was marked by professional friction, most notably his opposition to the 1919 Actors' Equity Association strike. This stance alienated many in his profession, though he remained a generous figure, donating $100,000 to the Actors' Retirement Fund. Cohan continued to perform and create until his death in 1942 at age 64. Today, he is remembered through his statue in Times Square—the only one of an actor on Broadway—and the enduring popularity of his songs, which continue to define a specific era of American musical history.

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