How a tragic accident and a studio dispute shaped a heavy metal masterpiece

How a tragic accident and a studio dispute shaped a heavy metal masterpiece
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In short: In 1987, Anthrax released Among the Living, an album defined by sonic aggression and profound grief. While the band fought their producer to preserve a raw, live sound, they were also mourning the sudden death of a close friend, a tragedy that infused their breakthrough record with a palpable, lasting anger.

Released on March 22, 1987, Among the Living marked Anthrax's transition from small clubs to global arenas. The album's production was marked by tension; the band hired veteran engineer Eddie Kramer—known for his work with Jimi Hendrix and Kiss—to capture their live energy. However, during the mixing process at Compass Point Studios in the Bahamas, a significant conflict arose. Kramer attempted a 'modern mixing' style, utilizing heavy reverb and sound effects similar to Mutt Lange’s work with Def Leppard. The band rejected this, demanding a clean, dry sound that stayed true to their original live performance. Fearing dismissal, Kramer relented, completing the mix in less than two weeks.

The emotional weight of the album was anchored by the death of Metallica bassist Cliff Burton, who died in a bus accident in Sweden on September 27, 1986, while touring with Anthrax. This loss deeply impacted the thrash metal community and the band's songwriting. Guitarist Scott Ian noted that the album's characteristic anger stemmed directly from this unfair loss. The track 'Horror of It to All' was written specifically as a tribute to Burton.

Lyrically, the album is a tapestry of social commentary and pop culture. The band drew inspiration from Stephen King novels, with tracks like 'Among the Living' and 'A Skeleton in the Closet' referencing The Stand and Apt Pupil. They also tackled heavy themes, such as the plight of Native Americans in 'Indians' and the threat of nuclear war in 'One World.' This blend of aggressive thrash rhythms, hardcore influences, and diverse lyrical subjects helped the album achieve RIAA gold certification by July 31, 1990.

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