How a Nigerian cinematic pioneer challenged the Oscars over the language of her art

How a Nigerian cinematic pioneer challenged the Oscars over the language of her art
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In short: Genevieve Nnaji, a titan of Nollywood, made history when her directorial debut, Lionheart, became Nigeria's first-ever Oscar submission. Yet, the Academy disqualified the film for being predominantly in English. Nnaji’s response highlighted the complex, post-colonial reality of a nation where English serves as a vital bridge across 500 languages.

Born in 1979 in Mbaise, Nigeria, Genevieve Nnaji began her career as a child actor in the soap opera Ripples at age eight. Over the decades, she evolved into a central figure of the Nigerian film industry, starring in over 200 movies. Her influence was recognized early; in 2001, she became the first actor to win Best Actress at the City People's Awards, a ceremony previously reserved for politicians and business leaders. By 2009, Oprah Winfrey famously dubbed her the Julia Roberts of Africa.

Nnaji’s directorial debut, Lionheart, marked a significant milestone as the first Netflix original film from Nigeria. In 2019, the Nigerian Oscars Selection Committee submitted the film for the Best International Feature Film category. However, the Academy disqualified it, citing a rule established in 2006 that requires eligible entries to have a predominantly non-English dialogue track. This decision sparked intense debate regarding the Academy's definition of inclusivity.

Critics, including culture writer Kovie Biakolo, argued that the disqualification unfairly penalized Nigeria for its history as a British colony. Because Nigeria is home to over 500 distinct languages, English functions as the essential lingua franca for national communication and artistic expression. Nnaji herself defended the choice, noting that English was the only viable language to make the film accessible to diverse audiences within Nigeria and internationally. The controversy underscored a perceived disconnect between the Academy’s stated goals of cultural diversity and its rigid, surface-level application of language requirements.

Beyond her cinematic achievements, Nnaji is a vocal advocate for women’s rights, specifically opposing early marriage and promoting the autonomy of the girl child. Her career has spanned acting, producing, and directing, with recent projects including the adaptation of I Do Not Come to You by Chance. In 2026, her contributions to the medium were further honored at the Women in Cinema Gala during the Cannes Film Festival.

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