How a low-budget spiritual film became the most profitable Indian movie ever made

How a low-budget spiritual film became the most profitable Indian movie ever made
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In short: Released with little fanfare, the biographical drama Hanuman Ansh defied industry expectations. Despite a modest budget of under ₹2 crore and a slow start in just 250 theaters, the film transformed into a massive sleeper hit, eventually earning over 50 times its production costs through powerful word-of-mouth momentum.

Directed by Vishal Chaturvedi, Hanuman Ansh chronicles the early life of the spiritual figure Neem Karoli Baba. The narrative follows a young boy named Lakshminarayan, who leaves his home in Akbarpur after his mother's death to seek a connection with the divine. His journey through Northern India, marked by encounters with ascetics and miraculous events, eventually leads to his transformation into the revered saint. The film is the first of a planned trilogy, drawing from Chaturvedi’s own research and personal spiritual memoir, Divine Detour: That Changed My Life.

The production faced early hurdles, including the replacement of its lead actor during the first shooting schedule in November 2025. Shobhinaw Satyaa stepped into the role, helping to bring the story to life alongside a dedicated crew. Upon its theatrical release on 7 August 2026, the film initially struggled, with its screen count dropping to 40 in the second week. However, audience demand surged, prompting distributor Cinépolis India to expand the release to over 2,000 screens. By September, the film had crossed ₹100 crore at the domestic box office.

The film's success is historic, placing it alongside the 1975 classic Jai Santoshi Maa as one of the most profitable Indian films ever produced. Its cultural impact was further solidified when Uttarakhand Chief Minister Pushkar Singh Dhami declared the film tax-free in his state after a private screening. As the first installment concludes, it sets the stage for future chapters, with Chaturvedi confirming that development on the second film—focusing on the saint's time in Agra and Mathura—is already underway.

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