Why did the American elite once sound like they were from the British aristocracy?

Why did the American elite once sound like they were from the British aristocracy?
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In short: For nearly a century, the wealthiest Americans cultivated a distinct, non-rhotic speaking style known as the Mid-Atlantic or Transatlantic accent. Often associated with boarding schools and high society, this prestige dialect mimicked British Received Pronunciation, only to vanish from public life almost entirely following the end of World War II.

The Northeastern elite accent emerged in the late 19th century as a marker of status among the wealthy in New York and New England. Scholars debate its origins: some view it as a consciously adopted affectation taught in elite preparatory schools and elocution courses, while others, like linguist Geoff Lindsey, suggest it was a natural upper-class dialect. Regardless of its source, the accent became a hallmark of the American establishment, used by figures ranging from Franklin D. Roosevelt and Dean Acheson to authors like Gore Vidal and H. P. Lovecraft.

Phonetically, the accent shares significant DNA with British Received Pronunciation, most notably through non-rhoticity, or 'R-dropping,' where the /r/ sound is omitted unless it precedes a vowel. This style often included the preservation of the /j/ sound in words like 'duke' and the maintenance of distinct vowel sounds before /r/, preventing mergers common in General American English. Some speakers, such as Theodore Roosevelt, even employed an archaic 'tapped R' between vowels, while others were associated with 'lockjaw' stereotypes, suggesting an exaggerated, tight-jawed enunciation.

The accent’s decline began after World War II, as American cultural and demographic shifts led to a widespread dissociation from East Coast prestige styles. While it eventually disappeared from the real-world upper class, the accent found a second life in media, where it became a shorthand for snobbish or wealthy characters in works like Gilligan's Island, M*A*S*H, and Frasier. Today, the style remains a historical curiosity, a relic of a time when the American elite looked across the Atlantic to define their own voice.

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