Why Canada's most iconic folk singer refused to take off his hat for the Queen

Why Canada's most iconic folk singer refused to take off his hat for the Queen
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In short: Stompin' Tom Connors was a fierce nationalist who sang of Canada's history and better angels. Known for his signature black Stetson and rhythmic heel-stomping, he became a cultural institution. His commitment to his home country was so profound that he once protested the government by retiring from the music business entirely.

Born in 1936 in Saint John, New Brunswick, Charles Thomas Connors lived a hardscrabble early life marked by poverty, eviction, and time in a women's penitentiary before being adopted in Prince Edward Island. At 13, he began a 13-year hitchhiking journey across Canada, working in mines and riding boxcars. His career effectively began in Timmins, Ontario, when a bartender named Gaëtan Lepine offered him beer and a stage in exchange for songs. This led to a 14-month residency and a prolific career that saw him record nearly four million albums.

Connors was a unique figure in the Canadian landscape, often characterized as a passionist poet. Unlike his contemporaries, he focused exclusively on Canadian lore, history, and the everyday lives of its people. His signature style involved stomping his left boot to keep tempo, a habit that eventually required him to carry a piece of plywood to protect stage floors. These 'stompin' boards' became legendary, with one selling for $15,000 in 2011. His rough, genuine persona was not a performance; he thrived in smoky bars where he believed music could bridge social divides.

His nationalism was uncompromising. He famously boycotted the Juno Awards, labeling artists who built their careers in the United States as 'turncoat Canadians' who should compete for Grammys instead. This fierce pride extended to his public image; he refused to remove his black Stetson even when meeting Queen Elizabeth II in 2002. Buckingham Palace eventually accommodated him by comparing the hat to a religious headdress. Beyond his own music, Connors was a pioneer who founded labels like Boot Records to promote other Canadian artists, including classical musicians like Liona Boyd, ensuring that Canadian talent had a platform to tell its own stories.

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