Will Vinton pioneered the tactile magic of Claymation before his studio became Laika
In short: Before stop-motion giants like Coraline captivated audiences, Will Vinton transformed lumps of clay into global icons. From the California Raisins to M&M's characters, Vinton defined a distinct aesthetic. Yet, his journey from a Portland basement to a hostile corporate takeover reveals the volatile intersection of artistic innovation and commercial ambition.
Will Vinton began his career in the early 1970s, collaborating with animator Bob Gardiner to develop a unique style of dimensional animation. Their breakthrough, the 1974 short film Closed Mondays, won an Academy Award and established the technical foundation for what Vinton would later trademark as Claymation. By the late 1970s, Vinton had founded his own studio in Portland, expanding from short films to a trilogy of fairy-tale adaptations and eventually high-profile commercial work.
The studio's success was built on Vinton's ability to scale his craft. He produced iconic characters like the California Raisins and the Domino's Pizza Noid, while also contributing special effects to major projects such as Disney's Return to Oz and Michael Jackson's Moonwalker. By the 1990s, the studio employed hundreds of animators and began integrating computer-generated imagery alongside traditional stop-motion. As production demands grew, Vinton transitioned from clay to Foamation—a process using moulded foam rubber to overcome the physical limitations of polymer clay.
Despite this evolution, the studio faced financial pressures while seeking funding for feature-length films. This led to the involvement of outside investors, including Nike founder Phil Knight. By 2002, Vinton lost control of his company following a hostile takeover by the Knights. The studio was subsequently rebranded as Laika, which went on to produce acclaimed features like Coraline and Kubo and the Two Strings. Vinton, who was diagnosed with multiple myeloma in 2006, continued to work on independent projects until his retirement in 2008. He passed away in 2018 at the age of 70, leaving behind a legacy preserved by the Academy Film Archive.
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