Darling: The 1965 drama that captured the fleeting, hollow spirit of Swinging London

Darling: The 1965 drama that captured the fleeting, hollow spirit of Swinging London
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In short: Directed by John Schlesinger, Darling follows a model navigating the vacuous media circles of 1960s London. While it was a critical and commercial triumph that launched Julie Christie to stardom, its legacy remains fiercely debated as a portrait of modishness that some critics argue has aged into pretentious irrelevance.

Released in 1965, Darling tells the story of Diana Scott, a young model who drifts through the fashionable arts and media scenes of London. The film, which features performances by Dirk Bogarde and Laurence Harvey, depicts Diana’s ascent through a series of transactional relationships, including an affair with a powerful advertising executive and a disastrous marriage to an Italian prince. Her journey is marked by a profound sense of rootlessness, as she moves from the high-society parties of London to the jet-set lifestyle of Paris and the isolation of a Roman palazzo.

The production was a significant undertaking, filmed on location in London, Paris, and Rome between August and December 1964. Originally titled Woman on Her Way, the project underwent a major casting change when Julie Christie replaced Shirley MacLaine. Upon its release, the film was a major success, grossing $12 million worldwide against a budget of £400,000. It earned five Academy Award nominations, with Christie winning Best Actress, alongside wins for Best Original Screenplay and Best Costume Design.

Despite its initial acclaim, the film’s reputation has shifted over the decades. While some view it as a quintessential, influential artifact of the 1960s, others, such as critic David Thomson, have argued that the film serves primarily as a record of how quickly trendy styles can wither. Critics like Tony Rayns have dismissed it as a pretentious rehash of European art-house tropes, suggesting that the film’s attempt to critique the lifestyle it depicts ultimately feels out of touch. Today, it remains a polarizing work, holding a 73% approval rating on Rotten Tomatoes, reflecting its status as both a landmark of its era and a subject of enduring stylistic contention.

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