Why a star-studded comedy featuring Robin Williams and Billy Crystal became a box-office bomb

Why a star-studded comedy featuring Robin Williams and Billy Crystal became a box-office bomb
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In short: When two comedy legends teamed up for a 1997 film, expectations were sky-high. Yet, the project became a notorious commercial and critical failure. Despite the star power of Robin Williams and Billy Crystal, the movie struggled to find its footing, ultimately losing millions and leaving critics unimpressed by its formulaic humor.

Released on May 9, 1997, the film was an American adaptation of the 1983 French production Les Compères. The premise follows a mother who tricks two former lovers—a cynical lawyer and a suicidal writer—into searching for her runaway son by convincing each man that he is the biological father. While the original French version featured a husband indifferent to the boy's disappearance, American studio executives at 20th Century Fox insisted on changing the mother's status to divorced to ensure the narrative felt morally acceptable to domestic audiences.

The production was driven by the desire of Williams and Crystal to collaborate on a feature film. After Crystal’s agent provided him with the French source material, the duo successfully pitched the project to Warner Bros. production chief Bob Daly and director Ivan Reitman. Despite this high-profile assembly, the film’s development was fraught with challenges. An early draft was rejected for being too leaden, and even after significant reshoots, studio executives reportedly felt the final product was fundamentally flawed.

The financial results were stark. Produced on an $85 million budget, the film grossed only about $35.7 million worldwide. Critics were largely harsh, with the review aggregator Rotten Tomatoes noting that only 26% of reviews were positive. Roger Ebert famously dismissed the work as a brainless sitcom, while other reviewers noted that the film failed to capitalize on the comedic talents of its leads. Even the original French director, Francis Veber, avoided watching the remake, fearing he would be saddened by the result.

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