A 1991 animated masterpiece about memory that Disney once refused to release in America.

A 1991 animated masterpiece about memory that Disney once refused to release in America.
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In short: Isao Takahata's Only Yesterday is a profound meditation on adulthood and nostalgia. While it became the highest-grossing Japanese film of 1991, its candid depiction of puberty kept it from Western audiences for decades. Today, it is celebrated as a breathtaking, psychologically acute work of art that bridges past and present.

Released in 1991, Only Yesterday follows Taeko Okajima, a 27-year-old Tokyo office worker who travels to the countryside to help with the safflower harvest. As she journeys through the rural landscape, she is haunted by vivid memories of her 10-year-old self in 1966. Director Isao Takahata adapted these childhood segments from a 1982 manga by Hotaru Okamoto and Yuko Tone, but he invented the framing narrative of the adult Taeko to explore themes of identity, social expectations, and the lingering influence of childhood experiences on adult life.

The film is technically ambitious, utilizing a distinct aesthetic separation to distinguish between time periods. The 1966 flashbacks feature a softer palette and minimalist style, while the 1980s sequences use precise lines and realistic facial expressions. To achieve this realism, Takahata recorded dialogue before animating the scenes, a departure from standard Japanese practice. The production was also a turning point for Studio Ghibli; to manage the film's complexity, producer Hayao Miyazaki initiated a shift toward full-time employment and in-house training, which doubled production costs and necessitated a constant stream of new projects.

Despite its domestic success, the film faced significant hurdles in the West. Walt Disney Studios, which held the North American rights, refused to release it due to its frank treatment of menstruation. It was not until 2016, for the film's 25th anniversary, that GKIDS finally brought it to North American theaters. Critics have since lauded the film for its emotional depth, with Roger Ebert describing it as a touching meditation on the life of a woman at two different ages. It remains a rare example of animation that treats the internal, mundane struggles of adulthood with the same gravity as epic fantasy.

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