In a world without sight, humanity has regressed to a medieval, tribal existence.
In short: Centuries after a virus decimated the human population, the survivors and their descendants have completely lost the ability to see. In this post-apocalyptic landscape, vision is considered a dangerous myth, and the remnants of modern technology are viewed as supernatural artifacts created by gods in a forgotten era.
The television series See depicts a future where fewer than two million people survived a 21st-century viral pandemic. Over several centuries, these survivors adapted to a world without vision, developing new methods for hunting, building, and social interaction. This shift resulted in a significant economic decline, with society restructuring itself into tribal, hunter-gatherer, and medieval-style communities. The collective memory of the sighted world has faded, leaving behind only distorted legends.
In this society, the concept of sight is not just forgotten; it is actively suppressed. Any mention of vision is treated as heresy, and those who possess the ability to see are hunted by the Payan Kingdom’s Witchfinders. The narrative centers on the Alkenny tribe, led by Baba Voss, who adopts two children born with the dormant ability to see. This discovery triggers a brutal conflict as the Payan Kingdom, ruled by Queen Sibeth Kane, seeks to eradicate the children and their biological father, Jerlamarel.
The conflict expands to include the Trivantian Republic, a rival power that recognizes the strategic value of sight in combat. As the series progresses, characters like the engineer Oloman and the Trivantian officer Wren demonstrate how the re-emergence of sight threatens the established order. The show explores the tension between this lost human capability and the rigid, sightless structures that have defined survival for generations, ultimately questioning the cost of power and the nature of belief in a world where the truth is a capital offense.
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Sources
- Summary by Intellect · source: See (TV series)
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