The unfinished masterpiece: How Jimi Hendrix's legacy survived his sudden death
In short: When Jimi Hendrix passed away in 1970, he left behind a vast archive of incomplete recordings. From controversial studio re-mixes to the creation of official bootlegs, discover how his family eventually took control of his musical estate to transform fragmented sessions into a global, chart-topping phenomenon.
At the time of his death in 1970, Hendrix was in the midst of preparing his fourth studio album. He had enough material envisioned for a double album, including sketched track lists, though the state of the recordings was uneven. While about six songs were nearing completion, roughly twenty other tracks existed in various stages of development. This fragmented archive became the foundation for decades of posthumous releases.
The curation of this material has been a turbulent process. Early attempts to present the fourth album included the 1971 release 'The Cry of Love', which reached number three on the US Billboard charts. Later, in 1995, a different mix titled 'Voodoo Soup' was released, peaking at number 66. It wasn't until 1997 that the Experience Hendrix company—managed by the Hendrix family since 1995—restored the original mixes in the double-album release 'First Rays of the New Rising Sun', which used one of Hendrix's own proposed titles.
Managing the legacy also meant navigating a complex landscape of rights and authenticity. Between 1970 and 1992, labels like Reprise and Polydor handled the catalog, followed by a period under MCA Records in 1992 that included the controversial work of producer Alan Douglas. To combat the rise of fake albums and grey-market bootlegs, the family established Dagger Records in 1998. This label provides an official outlet for 'official bootlegs'—recordings like demos and rehearsals that do not meet the technical standards required for a mainstream commercial release.
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- Summary by Intellect · source: Jimi Hendrix posthumous discography
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