What if God was just a stranger on the bus?

What if God was just a stranger on the bus?
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In short: In 1995, a song about a human-like deity became a global phenomenon. Written in a single night to impress a girl, it blended Appalachian folk history with a rock riff to ask a radical question: If God were one of us, would we still recognize him?

The track 'One of Us' was composed by Eric Bazilian of the Hooters. Its origin is surprisingly intimate; Bazilian wrote it quickly to impress a Swedish woman he met on a plane. While watching a documentary on the Beatles' Sgt. Pepper, she expressed interest in four-track recording. Bazilian took a guitar riff he had been playing that day and expanded it into a song, even asking her for help with lyrics after she fell asleep. He specifically wanted to capture the voice of Brad Roberts from Crash Test Dummies during the demo phase.

The production is a tapestry of historical layers. The album version opens with a recording from October 27, 1937, captured by folklorist Alan Lomax. It features Nell Hampton singing 'Heavenly Aeroplane,' a variation of a 1928 hymn. Producer Rick Chertoff suggested including this fragment after Osborne played it in the studio. For the lead and solo, Bazilian utilized his 1954 Gibson Gold Top Les Paul to create what critics described as a 'Neil Young-ish' guitar riff.

Thematically, the song explores anthropomorphism—the attribution of human traits to the divine. It poses questions about whether humans would call God to his face or if they could handle seeing his form if it meant believing in traditional doctrines like heaven or saints. While some critics found the lyrics 'appalling' due to their irreverence, others praised the song as a simple, honest statement of faith that imagined a deity as hurt and relatable as any human.

Reaching a peak of four on the US Billboard Hot 100, this track represented the sole charting single for Osborne. It reached number one in Australia, Canada, Flanders, Israel, and Sweden. Beyond its commercial success, it has been covered by Prince and parodied by Bob Rivers, cementing its place as a definitive 'one-hit wonder' of the 1990s.

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