The obsessive perfectionism behind a-ha's global synth-pop dominance
In short: While most pop stars aim for the immediate hit, Paul Waaktaar-Savoy spent years refining single notes to achieve a specific sonic ideal. His relentless work ethic and ability to sit with one song for hours transformed him into the primary architect of a-ha's massive international success.
Born Pål Gamst in 1961, Waaktaar-Savoy was identified as a child prodigy in music composition. His early influences were eclectic: he admired Jimi Hendrix and aspired to write rock operas like 'Hair.' However, his path to superstardom was paved by a rigorous, almost monastic discipline. His bandmate Morten Harket describes him as a workaholic who can sit with a single piece of music for hours, obsessing over the exact mix required to achieve a specific sound—a level of dedication that contrasts with the typical pace of the pop industry.
This meticulousness is evident in the evolution of their most famous hits. For instance, the iconic 'Take On Me' began as an unreleased song titled 'Miss Eerie,' which first evolved into 'Lesson One' before finally becoming a global phenomenon. Waaktaar-Savoy also served as the primary songwriter for many other staples, including 'The Sun Always Shines on T.V.' and the 1987 James Bond theme 'The Living Daylights.' His creative process is often fueled by internal tension; he describes his relationship with Harket as a clash of big egos that creates a productive, creative friction.
Beyond his role as a songwriter and guitarist for a-ha—which has sold over 50 million albums—Waaktaar-Savoy is an accomplished painter. His artistic signature involves a unique constraint: he refuses to begin painting until the canvas is already fitted with a frame. This dedication to specific structures and 'frames' mirrors his musical life, where he balances various projects including the band Savoy (which sold over 300,000 records in Norway) and several solo ventures under his own name.
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