From bridge overpasses to Auschwitz: the evolution of a New York hardcore band
In short: Show Me the Body didn't start in a polished studio. They began in the shadows of New York City's underpasses and alleys, crafting an abrasive sound that blends sludge metal, hip hop, and noise music to tackle heavy themes like gentrification and police brutality.
Formed in 2009 by Julian Cashwan Pratt and Harlan Steed, the band emerged from the New York hardcore scene. Their early identity was defined by a DIY ethos; rather than traditional clubs, they performed in basements and under bridge overpasses to maintain a close connection with their audience. This period was marked by a collaborative spirit, involving Pratt's cousin Gabriel Millman as an early producer and drummer.
The band's sonic architecture is intentionally eclectic. While rooted in punk, they utilize unconventional instruments like Pratt's banjo alongside heavy bass, synthesizers, and complex computer programming. This combination creates a signature distortion that bridges the gap between grunge-influenced compositions and experimental noise. Their discography reflects a shift from independent SoundCloud releases in 2014 to major label distribution by 2015, all while maintaining a focus on social commentary.
Significant geographical and historical landmarks have shaped their creative output. A 2016 debut album explored local issues like anti-capitalism, while a 2019 record was directly influenced by a visit to the Auschwitz-Birkenau Memorial and Museum during a tour in Poland. Even the COVID-19 pandemic forced a pivot toward studio-based production, leading to the 2021 EP 'Survive,' which explored the psychological weight of isolation.
Today, the group continues to evolve its lineup and instrumentation. With the release of 'Alone Together' in July 2026, the band remains a fixture of the experimental scene, balancing aggressive drumming and eclectic vocals with a sophisticated array of effects units and samplers.
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- Summary by Intellect · source: Show Me the Body
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