Why Edwardian architecture was actually a masterclass in the art of the remodel

Architecture and the Edwardian Era - Timothy Brittain-Catlin · 49:49 · Video: Gresham College · Watch at the source

In short: We often view architecture as the creation of new structures, but the Edwardian era tells a different story. Rather than focusing solely on new builds, the period was defined by a continuous sequence of alterations and the clever remodelling of existing buildings to suit a changing world.

In the Edwardian era, the most significant architectural achievement was not just the construction of new buildings, but the sophisticated way architects approached the remodelling of old ones. According to Dr. Timothy Brittain-Catlin, a Reader in Architecture at the University of Kent, this period was defined by a sequence of alterations that determined the appearance of the finest buildings. Even when architects were not altering existing structures, they were often designing new buildings specifically intended to look like they had been remodelled.

This approach reflected a shift in how people lived and used their spaces. The architecture of the period provided a commentary on broader historical themes by accommodating a new range of activities. This included the rise of 'servantless' country and seaside cottages, as well as the introduction of specialized spaces like motor houses, gardens, and hobby rooms. These changes highlight the evolving relationship between people and their environments during the early twentieth century.

The study of these houses allows historians to re-establish lost spaces in the mind, offering deep insights into the methodologies used to reconstruct history. While many people's perceptions of the era are shaped by the authoritative works of historians like Alastair Service—whose books have remained popular for over 40 years—Brittain-Catlin suggests that the focus on remodelling provides a vital new way to assess the scope of Edwardian architectural achievement. Even a genius like Edwin Lutyens can be viewed not just as a one-off talent, but as a brilliant practitioner of this essential Edwardian way of operating.

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