How a teenage theatre rebel became the official Prince of the Poets

How a teenage theatre rebel became the official Prince of the Poets
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In short: At seventeen, Paul Fort was expelled from school for his obsession with avant-garde theatre. He founded the Théâtre d'Art, pioneering a unique, hypnotic acting style. Though his theatrical ventures eventually collapsed under debt, he pivoted to poetry, becoming the celebrated Prince of the Poets and a central figure in Montparnasse.

Paul Fort was born in Reims in 1872, but his life as an artist truly began in the bohemian atmosphere of Paris. By age seventeen, he was a fixture at the Café Voltaire, where his radical ideas about theatre led to his expulsion from high school. In 1890, he launched the Théâtre d'Art, an ambitious project that sought to break away from the reigning Naturalistic drama. Fort’s company was defined by its collaboration with Nabis painters for set design and a signature acting style—characterized by hieratic gestures and psalmodized speech—developed by actors like Georgette Camée and Aurélien Lugné-Poe.

Despite his artistic vision, Fort struggled as a manager. His productions were often over budget, and he frequently clashed with creditors. After failing to secure the rights to stage major works like Villiers de L'Isle-Adam's Axël or Maeterlinck's Pelléas et Mélisande, he abandoned the theatre in 1893. While theatre historian Jacques Robichez described the Théâtre d'Art as a failed experiment, it served as a vital precursor to the influential Théâtre de l'Œuvre, which launched under Lugné-Poe shortly after Fort's departure.

Fort successfully reinvented himself as a poet, eventually publishing over thirty volumes of ballads. His innovative 'Ballades françaises' utilized a polyphonic prose form that blurred the lines between verse and rhythmic prose. His influence grew so significant that in 1912, a poll of five literary magazines named him the 'Prince of the Poets,' a title confirming his status as the heir to Verlaine and Mallarmé. He remained a fixture of Parisian intellectual life for decades, frequenting the Closerie des Lilas and mentoring younger writers, before his death in 1960 in Montlhéry.

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