Can a modern teen comedy successfully channel the dark spirit of classic suspense cinema?

Can a modern teen comedy successfully channel the dark spirit of classic suspense cinema?
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In short: Jennifer Kaytin Robinson’s 2022 film Do Revenge blends the aesthetic of nineties high school classics with the twisted premise of a legendary suspense thriller. By pairing two social outcasts who trade targets to dismantle their tormentors, the story explores the volatile intersection of teenage reputation, digital betrayal, and calculated retribution.

The film follows Drea, a scholarship student at an elite Miami private school whose life unravels after a private video is leaked. Cast out by her former friends and blamed by her boyfriend, Max, she finds an unlikely ally in Eleanor, a shy transfer student who also harbors a grudge against a former classmate. Together, they orchestrate a complex revenge pact, aiming to destroy the reputations of those who wronged them while navigating the treacherous social hierarchy of their high school.

Drawing inspiration from the 1951 Hitchcock adaptation of a famous suspense novel, the narrative structure relies on the idea of two strangers swapping targets to avoid detection. However, the film layers this premise with a sharp, satirical look at modern youth culture. It pays homage to iconic teen movies from the nineties and early two-thousands, utilizing a vibrant, stylized visual language that contrasts with the underlying cruelty of the characters' actions. The presence of Sarah Michelle Gellar, a veteran of nineties teen cinema, serves as a deliberate nod to the genre's history.

The production process itself was as intricate as the plot. Originally titled Strangers, the project underwent significant changes, including a shift in filming location from Los Angeles to Atlanta to accommodate the lead actresses' schedules. Despite the polished, art-directed appearance of the school, the film portrays a cynical environment where social standing is a weapon. Critics have noted its blend of wit and malice, with some labeling it a defining entry in the genre, while others suggest it maintains a balance between being a sharp-fanged satire and a stylish, entertaining romp.

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