Why did playwright David Mamet label this 1936 drama one of four perfect films?

Why did playwright David Mamet label this 1936 drama one of four perfect films?
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In short: Directed by William Wyler, Dodsworth is a sophisticated study of a marriage in crisis. Following a retired auto magnate and his narcissistic wife on a European tour, the film explores the painful realization that two people can want entirely different things from life, leading to a profound, cinematic resolution.

Based on Sinclair Lewis’s 1929 novel and Sidney Howard’s 1934 stage adaptation, the 1936 film Dodsworth captures the unraveling of a long-term marriage. Samuel Dodsworth, a self-made man who recently sold his automotive company, embarks on a European trip with his wife, Fran. While Sam seeks to expand his horizons, Fran, feeling trapped by their domestic life, desperately attempts to reinvent herself as a sophisticated, younger woman. Their journey reveals a fundamental incompatibility: Sam craves genuine connection and new experiences, while Fran is driven by vanity and the pursuit of social status.

The production was marked by intense real-world drama, particularly for Mary Astor, who was embroiled in a bitter divorce and custody battle during filming. Despite the personal turmoil behind the scenes, the film was critically lauded for its seamless narrative and nuanced performances. William Wyler’s direction was praised for transforming an episodic play into a smooth, flowing cinematic experience. The film received seven Academy Award nominations, winning for Best Art Direction, and was later selected for preservation in the National Film Registry in 1990.

The film’s legacy has only grown over time. Beyond its initial success as a top-twenty box office hit, it has earned a reputation for artistic perfection. In 2007, playwright and director David Mamet famously cited it as one of only four 'perfect films,' alongside classics like The Godfather. Whether through its exploration of the limits of love—famously summarized by Sam’s line, 'Love has to stop somewhere short of suicide'—or its technical mastery, Dodsworth remains a definitive study of the emotional costs of growth and the courage required to walk away from a failing life.

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