How a YouTube breakout turned raunchy folk comedy into children's television music

How a YouTube breakout turned raunchy folk comedy into children's television music
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In short: Riki Lindhome and Kate Micucci built a career on the jarring contrast between sweet melodies and brutally honest, raunchy lyrics. From viral YouTube hits to topping comedy charts, the duo has transitioned from the gritty Los Angeles comedy scene to writing music for major children's programming.

Formed in 2007 in Los Angeles, Garfunkel and Oates is a comedy folk duo consisting of Riki Lindhome and Kate Micucci. The duo's name is a nod to the 'silver-medalists' of famous duos; Lindhome chose it after noticing that in Hall & Oates, Art Garfunkel's counterpart received more closeups than John Oates. Their musical style is characterized by fast-paced, observational comedy paired with sweet, childlike melodies and vocals.

The duo gained significant momentum through YouTube, particularly after their 2009 song "Fuck You" became a viral sensation. This digital success led to professional performances, including an appearance on The Jay Leno Show in December 2009 and an opening act slot for John Oates. Their studio discography includes the 2011 debut *All Over Your Face*, the Billboard Comedy Album-topping *Slippery When Moist* (2012), and 2015's *Secretions*.

Beyond the comedy club circuit, the duo has expanded into television and film. While they starred in an eponymous IFC sitcom in 2014, they have also found success in more wholesome spaces. They wrote music for the Netflix series *Waffles + Mochi* (2021), a project that gained traction after executive producer Michelle Obama heard their demo. Their versatility is further evidenced by a 2019 contribution to *The Lego Movie 2: The Second Part* and their upcoming animated film, *Steps*.

The duo's songwriting process is a collaborative effort: Lindhome typically writes the lyrics while Micucci composes the melodies. This method allows them to wrap "ugly, hilarious truths" into the sweet musical structures they draw from 1980s pop and the works of Broadway composer Stephen Sondheim.

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