Why these young witch apprentices chose to give up their magical powers forever

Why these young witch apprentices chose to give up their magical powers forever
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In short: In the long-running anime Ojamajo Doremi, a group of elementary school girls accidentally discover a magic shop and become witch apprentices. While they spend years mastering spells to save others, they eventually reach a profound realization: they can achieve their dreams and navigate life perfectly well without any magic at all.

The series follows Doremi Harukaze, a third-grade student who discovers that her local shop owner, Majo Rika, is actually a witch transformed into a frog. To restore Majo Rika to her human form, Doremi becomes an apprentice, eventually joined by her friends Hazuki Fujiwara, Aiko Senoo, and later Onpu Segawa and Momoko Asuka. Throughout 201 episodes aired between 1999 and 2003, the girls navigate the complexities of the Witch World, including raising a magical baby named Hana and passing rigorous tests to become fully-fledged witches.

The narrative is driven by the girls' personal growth rather than just magical combat. Onpu Segawa, for instance, initially uses forbidden magic to manipulate memories, a path that nearly leads to her eternal sleep. The group's journey involves mending relations between the Witch World and the Wizard World, and resolving the deep-seated trauma of the past queen, Majo Tourbillon, who had long detested humans after losing her own family. By baking the specific dessert her husband once made for her, the girls eventually break the curse that threatened both worlds.

Ultimately, the series subverts the traditional magical girl trope. Upon learning that becoming a full witch would grant them a lifespan far exceeding that of ordinary humans, the group makes a deliberate choice to remain mortal. They recognize that their true strength lies in their own capabilities and friendship, not in supernatural intervention. By the time they graduate from elementary school, they have moved past their initial insecurities—such as Doremi's fear of the piano or Hazuki's struggle to express her own opinions—and are ready to pursue their individual dreams as humans.

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