A cinematic epic of Polish-Ukrainian history that once cost a fortune to produce.

A cinematic epic of Polish-Ukrainian history that once cost a fortune to produce.
Image: Intellect (generated)

In short: Released in 1999, Jerzy Hoffman's With Fire and Sword was the most expensive Polish film of its time. Based on Henryk Sienkiewicz's classic novel, the historical drama navigates the complex, often violent, and deeply polarized legacy of the 17th-century Cossack uprising, balancing grand spectacle with intense, multi-dimensional character conflicts.

The film follows the journey of Jan Skrzetuski, a lieutenant caught in the brutal Cossack revolt led by Bohdan Khmelnytsky. As the conflict ravages Ukraine, Skrzetuski’s personal quest to rescue his betrothed, Helena Kurcewicz, intertwines with the broader geopolitical collapse of the Polish Commonwealth and the Zaporizhzhian Sich. The narrative is populated by larger-than-life figures, including the warrior Longinus Podbipięta, who vows to behead three infidels in a single blow, and the cunning nobleman Jan Onufry Zagłoba.

Director Jerzy Hoffman faced significant challenges in adapting Sienkiewicz’s work, which has long been criticized as nationalistic and Ukrainophobic. While the original novel is the first in a trilogy, this film was the final installment produced by Hoffman, following 1969's Colonel Wolodyjowski and 1974's The Deluge. Political tensions between the Polish People's Republic and the Ukrainian SSR previously made such a project impossible, as the Soviet Union viewed the subject matter as too volatile. Hoffman aimed to address these sensitivities by highlighting the shared tragedy of the conflict, concluding the film with the novel's somber reflection that hatred had poisoned the hearts of two brother nations.

The production was a massive financial success, grossing over 105 million PLN against a 24 million PLN budget. Despite its popularity, the film drew criticism for historical inaccuracies. For instance, the depiction of the Battle of Zhovti Vody suggests a swift Polish defeat caused by bravado, whereas historical records indicate the engagement lasted nearly three weeks and was complicated by the desertion of Cossack allies and the youth of the 24-year-old commander, Stefan Potocki. Ultimately, the film remains a lightning rod for debate, with some Polish critics arguing it leans too far into political correctness, while others continue to grapple with its portrayal of a deeply divided past.

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