Why our obsession with patterns reveals a shift in human belief
In short: For centuries, we viewed the patterns of the world as evidence of a divine architect. Today, those same patterns often feel like a psychological shield against chaos. By examining how art reflects our shifting views on order, we can see how deeply our aesthetics are tied to our fears.
In pre-modern Western history, the beauty found in art was not considered an independent human invention. Instead, it was viewed as a direct reflection of 'cosmic artistry.' The prevailing belief held that a benevolent God patterned all things well; therefore, aesthetic order in a painting or building served as a manifestation of cosmic order. Beauty was synonymous with the good providence of a creator who designed the universe with intentionality.
The modern period marked a significant shift in this perspective. Rather than seeing patterns as evidence of a divine plan, they are often interpreted as consoling creations produced by humans who fear living at the mercy of an arbitrary, indifferent universe. In this context, our preference for symmetry and repetition functions as a psychological defense mechanism—a way to impose a sense of predictability on a world that may lack inherent meaning.
From a practical standpoint, patterns are essential for human survival and success. They allow us to predict natural forces, understand the behavior of others, and engineer functional structures. For instance, the arches of a viaduct distribute weight to ensure safety; while these patterns are beautiful, their primary purpose is utility. A purely aesthetic arch that fails to function would be a dangerous folly.
Professor Ben Quash suggests that while psychologists and evolutionary biologists might focus on why we *need* patterns for survival, theology asks different questions about what these patterns *tell* us. By tracing the evolution of patterns in art from pre-modern to modern eras, we can map the profound changes in how humanity perceives its place within the cosmos.
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Sources
- Summary by Intellect · source: God's Good Order and the Artist's Patterns - Professor Ben Quash
- Also: God's Good Order and the Artist's Patterns
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