A 1920s horror masterpiece with a 1940s musical time machine
In short: The Abominable Dr. Phibes is a cult classic of dark humor and Art Deco design. Yet, despite its 1920s setting, the film features several musical anachronisms that wouldn't exist for another two decades. It is a masterclass in atmospheric storytelling where the score is as complex as the villain.
The film follows Dr. Anton Phibes, a concert organist and scholar who seeks vengeance against the medical team responsible for his wife's death. His murders are inspired by the biblical Ten Plagues of Egypt, a theme reinforced by the amulets he wears during his spree. The production design leans heavily into the 1920s aesthetic, featuring elaborate mechanical creations and a mansion on Maldene Square.
However, the film's musical landscape contains notable historical slips. While the plot is set in the 1920s, the score includes several songs that weren't written until the 1930s and 1940s. For instance, a mechanized pianist in the film's 'Clockwork Wizards' band performs a jazz standard that didn't appear until 1943. Similarly, a ballroom dance scene features a melody first published in 1940, and a music box in a car plays a tune from 1941.
Even the closing credits feature a famous song written roughly 17 to 18 years after the film's intended era. These errors highlight the tension between the film's meticulous period production and the era's evolving pop culture. Despite these anachronisms, the film remains a high-water mark for Vincent Price's career, praised for its genuine pathos and stylish, campy atmosphere.
Felix Mendelssohn's incidental score for Racine's play Athalie provides the film's musical foundation, specifically via the opening 'War March of the Priests'. This choice establishes Phibes's dual identity as a man of both music and theology, setting the stage for a narrative that blends high art with macabre horror.
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- Summary by Intellect · source: The Abominable Dr. Phibes
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